isabel, the first of a new attic series dedicated to hurricanes, is the latest ep signed by fabrizio lapiana on his own label and including remixes from reeko (mental disorder / pole group) and max_m (m_rec ltd). lapiana delivers two tracks with mighty and warm bassdrum, hihats and evolving percussions everywhere focused on diffuse electric click and vivid minimalism. the pole group artist shapes “dfract” into a more bodily and harder structure while the m_rec boss takes the same track and makes its own atmospheric and ultra-rhythmic style. proper dirty dancefloor techno of the highest order.

following their critically acclaimed solo album iii, badbadnotgood return with wu tangs ghostface killah for a full length album including guest spots from mf doom, danny brown, elzhi and soul trap mc tree.
sour soul is the collaborative album from the toronto based jazz/hip-hop band and staten island rap champ ghostface. inspired by 1960s and 70s music – taking inspiration from the recording techniques and production of that era, and eschewing sampling in favour of live instrumentation, bbng with producer frank dukes have created a dramatic, cinematic musical staging for ghostfaces vivid storytelling.
pressing on heavyweight 180 gram black vinyl, cd-copy of the album included.

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

tribal roots is the eighth and latest ep release from batti batti records. its a four-track affair once again this time featuring label stalwarts owen jay and melchior sultana alongside percussionist antoine with an infectious perc-driven number, whilst rai scott (inner shift/minuendo) debuts with the deliciously dreamy and enchanting depth of the ocean. both 1dan and marco nega, meanwhile, make welcome returns to the label, the former with the twisted yet insanely groovy recovery process and the latter with the sumptuously soulful inside out featuring leen vivid!

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

anything eddie ruscha touches is generally worth checking, and this latest outing for lectric sands offshoot it’s a lectric world is no exception. ruscha kicks things off with the electric dub, an untypically funky fusion of his usual vivid psychedelics, exotic vocal samples, crunchy guitars and an undulating disco-rock groove. the original rub - all bubbling electronics, muted guitar licks and deep house warmth - adds a little balearic disco flavour, before ruscha returns to more familiar territory with the delay-laden and pleasingly out-there lectric dub. finally, he reaches for the marimbas on the pleasing dub, an afro-influenced blast of wide-eyed balearic sunshine complete with lilting pedal steel.

a long awaited studio album of saint, petersburg based live-electronic music trio d-pulse. for the past few years d-pulse has released their music on such established labels as island, tirk, teardrop, gomma, and theomatic. mostly known for their remixes, band decided to bring their debut studio album via their very own imprint - vernal records. the band s melancholic sound echoing from the numerous factories and forests of their homecity, izhevsk, fused with exeptional production established d-pulse as one of the most vivid and respected live acts on the contemporary russian indie and electronic music scene.

limited collectors vinyl edition 125 hand numbered copies. hand made serigraphy print and detais. few newcomers have created that stir that italys alessandro parisi has caused. following releases on lux rec, minimal rome and flight recorder this young producer has captivated audiences with his textured electronics and vivid soundscapes.

its hard to believe that its been a year since re.you last delivered one of his patented dark and brooding releases on mobilee, so integral has he become to the identity of anja schneiders berlin-based imprint

trickreich und zartfühlend zugleich, klingt es wesentlich endorphin-geschwängerter als die bis jetzt veröffentlichten singles. das mag zunächst verwirrend sein, aber die Überraschung gelingt. die reise, die dark sky zurück gelegt haben, muss von extremem musikkonsum begleitet gewesen sein. das album evoziert bilder eines erwachsenwerdens durch sound. vor allem eine musikalische dekade hat dark sky beeinflusst, die 90er und all die vielen musikrichtungen, die damals wiederentdeckt worden sind finden sich auch auf imagin wieder. funk, bossa nova, eine ganze menge triphop, aber auch post-rock, ambient, balearic-house und 80ies pop alles geschüttelt und gerührt und in einem post-dubstep cocktailglas serviert. eiskalt selbstverständlich

having previously impressed with vivid blends of cosmic r&b, skewed space-pop, glistening post-ambient soundscapes and mangled, synth-laden grime, rising star throwing shade (aka producer nabihan iqbal) demonstrates her dancefloor side with a killer 12- on happy skull. -chancer- and -blanx- both retain iqbal s uniquely intergalactic aesthetic,whilst flitting between jacking, chicago-influenced house rhythms and jazzy, off-kilter dancefloor grooves. synths sparkle, while vocal snippets drift in and out of the mix. the 12- is completed by a riotous, predictably heavyweight remix from kowton, whose guttural techno grooves are peppered with cut-up samples of iqbal s distinctive, dreamy vocals.

vinyl only and silk-screened artwork! now that the isms ep has provided our favorite dance floors with magico moments and vivid arpeggios, nous klaer audio presents the second part of their collection of dance floor excursions. for the second release oceanic presents a ticket to another yet unexplored destination. this ep may count as his proper debut, though his kobo contribution to the rimini series of edits-to-go has already put joy to last summers festivals. on blanco bero oceanic follows on from the anthematic kobo on rimini with an ep of yet again uncanny but-powerful dance music, ready to explore.

the unique and barnstorming trio from paris dop are back on the home turf of circus company with killer new single close up including remixes from catz n dogz, san proper. combining a dynamic groove with jaw’s unmistakable sultry drawl and a dreamy soundscape of deep chords and warm pads, the original mix is an addictive slice of vivid vocal house.

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

talk about saving the best until last. if you thought that the first two parts of awanto 3s opel mantra trilogy were good, just wait until you hear part 3. it delivers a brilliantly breathless conclusion to what could well be one of the strongest debut albums of 2014. by now, you should know the script. amsterdam producer steven van hulle has previously shown glimpses of his musical talents, either with sporadic solo productions (see his superb 2010 debut on rush hour, for five), or alongside friends from the dutch scene (san proper, young marco and tom trago, in particular). opel mantra, a debut album split across three 12 inch singles (a cd version will follow later in the year), is his big reveal – our first chance to wallow in his unique and thrilling fusions of deep house, detroit techno and a multitude of vivid global influences.

journey through vivid sonic currents and states which might as well be regarded as rashims magnum opus: the 006 release on arr is a new height delivered as a mini album. the more basic and primal spirit of this release encapsulates rashims music in a way which makes total sense. bound over six tracks, they all display a different perspective of this dramatic colossus.

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

factory floors self-titled debut album is a vivid snapshot of a progressive band, still in the ascendant, smashing through yet another ceiling.
pressing on white 2x12 inch vinyl, cd-copy of the full album included.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

sydneys excellent death strobe label return with another surprise! there is just no pinning these boys down as they chalk up another fine addition to an increasingly vivid and varied catalogue.

arma label got its sixth volume released. acid western starring dusty baron, sai and ponty mython is about to hit screens. action flows along griboedov channel, poetic black-and-white slow motion directed by dusty baron, mostly known to arma17 audience as latecomer. picture turns into high-key at scenes featuring sai and ponty mython, resulting in vivid illusion - happy-end is possible.

the british columbia based label silent season properly issue pacifica, the fourth studio lp from compatriot jordan sauer ka segue - an album that seems destined to become this year s voices from the lake. released originally in a highly limited cdr pressing earlier this year, pacifica now arrives in a deluxe 2lp format that really does the vivid cover art justice! adopting a pace that is immediately soothing, pacificas nine tracks are made all the more welcoming by the rich sense of melody that floats throughout, ensuring that the album has a sense of consistency that rewards the senses many times over.

vinyl only release.
solo debut for the berliner (aka decas) on this super-promising imprint. hard-hitting, gritty techno-house, percussive and freely musical, with a vivid, ill dose of vintage breakbeat from remixer john swing.

alessandro parisi recorded this album just with a roland tr-707 and a roland jx-3p. the result is impressive. for lux rec it was worth the labels first lp. the heritage from his home in the northeast of italy is clearly present in the music of parisi. back in the late seventies and early eighties pordenone was an industrial city with a vivid underground post punk and wave scene. cold weather electronics. fog and darkness surrounds the place to this day and deeply pervades this record: the history of a city called draconia. who will do wrong shall not be forgiven. limited to 250 copies, it comes in a red vinyl double 12-inch outfit. free download included!

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

scape one is producer of minimal electronic music from england. he rose to prominence with his electro work writing for labels like electrix, scsi-av and templedog. he has been writing music since the 1980s and uses mainly analog hardware in his productions. he also writes under his real name of kurt baggaley and also recently launched his tau sagittarii project into deep space with his experimental electronic scores.

mit den vier musikern der erfolgsband reamonn uwe bossert, gomezz, sebastian padotzke und philipp rauenbusch, und ihrem neuen bandmitglied thom hanreich (band vivid, solo: thom.) haben sich fünf menschen gefunden, die der enzyklopädie der musikgeschichte allesamt klangvolle kapitel hinzugefügt haben. alle fünf wissen gut, wie rock n roll schmeckt und wie ruhm riecht. und doch steht ihnen der sinn nur nach einem: musik, die mit ernsthaftigkeit entsteht, sich aber alles andere als zu ernst nimmt.
stereolove veröffentlichen mit stereo loves you ihr erstes gemeinsames album. nach >this is it< schicken stereolove mit >what if (i just want to go home)<, einem starken popsong mit unwiderstehlicher hook die zweite single ins rennen, welche der titelsong zur neuen romantischen komödie mit diana amft >frisch gepresst< (disney) ist.
gepresst auf farbigem doppel-vinyl - 1x blau marmoriert, 1x orange marmoriert.

tune in: dana ruh brings brouqade back from summer holidays. an ep completely rounded, mesmerizing from first to last. sula wakes with vivid snares. precisely produced, finely tuned arrangements and driven by a straight beat and pulsating bass line, the track develops with its deep clubsound to a veritable groover.cautious in the beginning nebouxii gains its selfesteem, builds up subtly, pushes and drives forward and spreads its hypnotic appeal. the mood is constantly high and takes its time to fully develop. sulidae brings you back from the previous hypnosis and gives you insight in a different world: charming vocals glide on a steady synth line, when all around a poetic magic is revealed and some ingenious elements are pulled out of the hat.

in its own way, speicher on kompakt extra has always been one of the most uncompromising series in the kompakt universe. starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. thats also where we found the highly versatile sei a, native glaswegian, now residing in london and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within uks capital. he is well known to paint vivid and emotional sonic pictures that touch on rather more considered house and bass tropes, prizing feeling over fads and staging an impressive balancing act between hardcore beat science and lush, moody arrangements. this 12 inch is no different, featuring two stellar examples for sei as stylistic reach, rave stabs included. welcome to the many-faceted party that is speicher

tetine are brazilian artists/musicians bruno verner and eliete mejorado and are stars of sao paulos avant garde music scene - uniting electronic music with brazilian dark sambas, performance art, spoken word, super 8 movies and whatever came into their heads. their musical influences range from bands such as throbbing gristle, peaches, tuxedomoon to kraftwerk, can, but it also incorporates heavily the more experimental side of brazilian musicians such as paulinho da viola, os mutantes, chico buarque or the tropicalists and rio baile funk artists. since 2002 they have lived and worked in london. three years ago they brought baile funk to the uk with their slum dunk radio show and subsequently with slum dunk presents funk carioca album. in 2005 they compiled the sexual life of the savages for soul jazz records - an album of obscure early 80s underground post punk from são paulo. in 2006 tetine played at the opening night of tropicalia - a revolution in brazilian culture - at barbican centre alongside brazilian multi-artist assume vivid astrofocus.

studio barnhus number nine is called zones within zones – it’s an ep by wesley matsell, who follows up his 2008 debut on border community with four brand new tracks: the unmaker (euphoric soundhack-meets-junior boy’s own rave smasher), ultra vivid parse (noisy chicago-on-‘roids stomper), mind vs. mind (trippy-as-fuck tech house funkster) and pyramideleven

with their 22nd release, culprit unleash their most narratively and sonically rich ep, courtesy ofone of the genres unique young voices, jozif. his lady b ep is a work of intricate conception that goes well beyond typical dance music themes, instead serving up a personally vivid and cohesive story. with these five immaculate tracks, culprit appears closest to fulfilling their mission statement of delivering music cinematic in its scope, true to their los angeles roots.

a year and a half in the making – well, spiritually at least – the air jordan ep soundtracks a 2010 roadtrip through a captivating country, just before the instant rush that became last years fever album and subsequent when in doubt label launch. based on field recordings taken in various bustling city centres, rugged desert landscapes, peaceful cornfields, lively amphitheatres, abandoned villages and ancient temples, the ep’s four tracks capture glimpses of jordans stark and desolated scenery as well as its warm and vivid spirit, channelled and reinterpreted through a simple recording device and a sampler. we hope you enjoy the results as much as we enjoyed travelling.
support from: efdemin (dial), marcel dettmann, morphosis, james holden, four tet, ben ufo, mary anne hobbs, martyn, serge (clone) faltydl & appleblim

after a handful of smashing remixes and compilation features on nang records, lusty zanzibar returns to the fold with a cracking solo effort named the >the feeling ep.< title track is a spaced out exercise in immersive square-wave programming, reminiscent of the pre-internet computer gaming age when colours were 8-bit and vivid, and soundtracks were hyper-colour opuses. the complex synth work is underpinned by a driving beat with ethereal vocal wisps and crystalline pads. nice. the first of three remixes for >the feeling< comes from ilya santana, with his >celestial version<, and celestial it is indeed! a picturesque scene is set, the rhythm is wound back and a super laid back vibe allows the vocal line >remember how you are feeling< to sit more purposefully in the mix, alongside the tip-toeing bass line and often euphoric chords. up next comes the max essa dub version, introducing some arp-synth subtleties, replacing the main vocal hook to great effect. to finish we have a mix from fear of theydon who brings a touch of arpeggiated femininity and tasteful woodblock percussion to the table. its a fulfilling yet sultry up-beat journey.

mote-evolver continues to push on into uncharted territories of electronic music with the parallel series 1, the first in a new series where 2 artists are featured side by side - contrasting and complementing. a dedicated producer with over than a decade of experience, british born asc goes head to head with luke slaters rather rare l.b.dub corp guise over 4 tracks of vivid new techno.

although its their first official release since 2010s disco anthem bubble bath and its accompanying ep, the swiss have hardly been taking it easy. they have spent the past 12 months taking their live show on the road, playing club nightsacross the us and europe including philly banger making time, fixed in new york, social club in paris, the modular summer sundance in the uk, and gracing the sydney opera house stage for australias vivid festival.
in between shows, swiss members tony mitolo, luke godson, and producer donnie sloan have been steadily working on new material, with a full album expected in 2012. double or nothing, which was written in a hotel room straight after tony played glastonbury this year as part of empire of the sun, is the first taste of whats to come from the group.

after his recent excursion remixing groove armada, morton sorenson returns to the fold with a stunning little release for tirk titled >the burn down ep.< for those that dont know, morten is in his early twenties and hails from a small fishing village in rural norway. his dad probably spent many years in new york and the records that he brought back encouraged a love of american house and disco on the impressionable morton. >burn down (original)’ is an exercise in uplifting, stripped back house music. less is more here, the vibe stays rich and never loosens its grip. the rhythms skip on top of the beat and the vocal interludes make for a real vivid experience. the lpz remix on the other hand sits back a bit, the rhythms are solidly swung and the vocal appears more affluently in the mix. it feels smooth and definitely cool. to top the package, were served up some chi-town flavours with <owe that 2 u.< sustained strings and a slo-mo shuffle builds, then peels away to a hollowed out organ breakdown. a hauntingly affected vocal and clever edits ensue then drop back into the beat, articulated now by the clack of a tough stacatto synth. in our eyes, a brilliant end to a fantastic package

mote-evolver continues to push on into uncharted territories of electronic music with the >parallel series 1<, the first in a new series where 2 artists are featured side by side - contrasting and complementing. a dedicated producer with over than a decade of experience, british born asc goes head to head with luke slaters rather rare l.b.dub corp guise over 4 tracks of vivid new techno.

the guy on the couch is the new project of andy rk and the infamous duo of the analogue cops. >golden lady< is a techno flavored house e.p. that will blast every dancefloor. it has been written, mixed and produced at the restoration headquarters with the use of any computer. the tracks has been premastered by the analogue cops in their raw and compromiseless way.
the short a side is so mighty that it has the power to stop time. the beats are tight and the influence of the artists of the second detroit wave is vivid.>the last word< is an evocative deep house track enriched by numerous samples of old crispy records. smooth and addicting, its a late night tune.>drei hunde< has a funky hypnotic groove that set off a wild pitch hook. just six minutes of danger.

now into their seventh year, horse meat disco have continued to lead the way with packed residencies at their hq at the eagle in london s vauxhall, lux in lisbon and tape in berlin. inspired by the music and inclusive ethos of new york’s club scene during the 70s and 80s, the collective have garnered a unique reputation for amazing parties and unmatchable sets, the quartet of djs each mixing their own quality blend of disco juice. during 2011, as well as playing their annual uk festival dates at glastonbury and lovebox, they will be spreading the love to some of the world s leading festivals including vivid in sydney, electric elephant, bestival and san francisco s pride.

spring 2006 was both cruel and exciting. radiating hot helsinki nights, too much light and vivid, restless dreams about music. while chucking down a glass of cheap brandy in a local bar the idea finally materialized: lets start a record label! a label that would bring people together. proud people. people thinking of music. people doing their own thing in their own way in their own basements. and most importantly, people who understood the meaning of space between notes. after 5 years, 16 records, 85 tracks and 44 artists from 13 countries it goes without saying that those restless dreams became reality. and so did the music.

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

peter presto is not only the founder of pingipung, he is also the chap who did the first release on the label in 2002. since then all of his dub sounds have been available on 7inches, cause its simply the best format for these little gems. for summer of seven he has reworked a theme from a classic computergame adventure in his very own vivid, happy-go-lucky dub style. peter loves the melodies!

visionquest unleash the second superb release on this years most exciting new label. footprintz possess the kind of musical magic that seems to be created through some unfathomable chemical reaction, their pop sensibilities perfectly balanced with a mystical sense of kudos. sounding like hot chip in paradise, hercules in a new love affair with a euphoric lcd soundsystem, >utopia< is the first step in a great musical journey for this magnetic partnership. charming guitar led melodies strung out over blissful poetic lyrics and dreamy synths, >utopia< is the embodiment of its definition. a captivating blend of pop magic, hatched in a dream and painted in vivid colour, it creates devotion to its musical heart. its elusive partner in crime, >golden dreams< is cloaked in mystery and soaked with attraction. uttering choral cries and apocalyptic echoes, it evokes the thrilling sensations of falling in love. steering to the dancefloor, house music king ewan pearson breathes melancholic pulses through utopias veins in a heart-rendering remix for the small hours a truly inspiring remix from ewan who mastered the whole ep.

vinyl only! after releases on vivid or ackerdub, carsten rausch strikes back with two groovin techhouse tracks on subotnik. incl remixes by ataneus from bulgaria and modul from moscow

first on decks.de!! an outstanding record filled with a harmonic fusion of surprising musical contradictions.
a: ooh zoot: twinkle-toed minimal house spiced up with a jazz-flavoured funkiness. yet turmspringer easily manage to avoid the risk of staying superficial by flavouring the tune with with a unique strangeness.
b1: ooh zoot (laufmasche remix): the remix by laufmasche gets back to the essentials, produced with an elegant analogue feeling dominating the track and leading to an excessive peaktime eruption.
b2: in between 2 cigarettes: berlin based duett turmspringer tickles out the abstract minimal techno undertones >in between 2 cigarettes< garnished with vivid background noises. massive dancefloor capability!

first on decks.de !! a two tracker of smashing minimal poetry.
a: daegon – subcon2 : shady minimal sounds turn into vivid dance floor intensity. a gently boosting track containing shivering bass lines and nifty rhythmic compositions.
b: daegon – subcon2 (octave remix) : french fellow octave turns the original to a full throttle dj tool, using cushioned basslines that create a massive dancefloor alternative.

proper 4 tracker incl marco fender, robert sado aka niko schwind, philipp wolgast and toni vokado! each of these artists have already released huge tracks which gained them much praise from both the media and dj world. they are new school rising artists known from releases on der hut, eminor, kompass, hi freaks, still vor talent, autist, vivid, overdrive.

in japanese niwa means garden. the concept of what an album should be is really taken seriously here. with >niwa< what you open your ears and emotions to isnt just another loose bundle of tracks. all the single stories, element by element, are constantly fusing together into a greater whole. this is rippertons world. he draws on all the influences that have journeyed with him as a passionate musician on life’s long and winding road. influences far beyond dark booming warehouse parties abound, and are just as likely to conjure up vivid images of dewy lausanne sunsets. folk tinged downbeat experiments peacefully co-exist with delicious jazz blueprints and sublime ambient soundscapes, sitting in harmony with deeply hypnotic house grooves.